modern art

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their respective artistic creations.

The history of how the Museum of Spanish Abstract Art of Cuenca was created. In the mid-1950s, the Spanish collector and painter Fernando Zóbel de Ayala (1924-84) becomes fascinated by the young generation of Spanish abstract artists, so he begins to collect their works to show them to the public in Toledo. Until Gustavo Torner, a young forest engineer interested in art, proposes him to visit his city, Cuenca.

Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.

Corpus Peccati is an unconventional and experimental film with a 1 hour and 14 minutes duration, created by filmmaker, photographer and artist Aaron Klusmann. This avant-garde film is a controversial view of sex and liberty, in a deeper understanding of the viewer, the film explores different exposures, between black and white and a red color with vertical rotations during the entire film.

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

In the late 1980s, an era of great hopes and great disasters for Russia, art proved to be a social barometer, predicting the imminent political upheavals. This film's screenplay was written overnight in February 1991, soon after the World Economic Forum, where Olga Sviblova was asked the question, "What will happen to Russia?", and answered: "A putsch."

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

What is the true meaning of the art?

In the Russian Empire of the 1910s, a group of visionary painters revolutionized the aesthetic norms of their time and opted for radical abstraction. In the years between the seizure of power by the Russian Bolsheviks and Stalinism in the 1930s, the avant-gardists developed a new form of art that ushered in modernism.

Narrated by David McCullough, this program examines the infamous Entartete Kunst (degenerate art) exhibition mounted by the Nazis in Munich in 1937 and their far-reaching attacks on avant-garde art in Germany. Witness compelling footage of Nazi book burnings, and of the exhibition itself. Includes interviews with historians, art critics, and eyewitnesses to the events that dramatize this powerful story of the Nazis' assault on modern culture.

Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.

J Fever, China’s greatest “rap poet”, reinvents the origin myth of fire, in an exquisite performance with Shanghai Philharmonic in Shanghai Concert Hall, featuring composer Soulspeak and Yehaiyahan.

A collection of BBC archive material about painter Francis Bacon, including a previously unseen interview recorded in 1965.

In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.